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Showing posts from 2018
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Release The Hounds - Release The Hounds (2018) - "Excellent"

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Stay Asleep – Mourner (2018) – When crust punk goes crushing bones

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Shield Breaker – Frost and Shadow (2018) – Glacial viking heavy metal made in America

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Killcode – The Answer (2018) – American made metal ready to be play live

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Slumlord – Preview of Hell (2018) – Not a preview Slumlord opens hell itself

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Djinn and Miskatonic- Even Gods Must Die (2018) – It's from India but they don't even need this reference

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Vile Creature - Cast of Static & Smoke (2018) – Be careful to not to blow your speakers

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BlackLab - Under the Strawberry Moon (2018) – In a good studio these Japanese will have no limits

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Sküll Hammer - Resisting Time (2018) – Straightforward aggressive American thrash

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Greber - Cemetery Preston (2018) – Harsh Sludge metal, no guitar, no fear

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Super Quercus – El Refugio (2018) – Argentine sound brings the rock origins to the Spanish language

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The Derision Cult - No Esteemed Deeds (2018) - In search of the industrial equilibrium

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Slaughter to Prevail - Misery Sermon (2017) - Avant-garde deathcore under a black metal influence

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Celeste - Infidèle (2017) - Avalanche of psychological aggression

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MR.X - Icarus (2018) - (Almost) All genres of rock in a single album

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Royal Thunder – Wick (2017) – The heavy rock voice is feminine

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Moreno – Nuevos Mitos (2017) – Argentine stoner that would make Pappo proud

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Thy Art is Murder – Dear Desolation (2017) – The ominous is fascinating.

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Fissure Of Riddles – Nemea (2018) - "Progressive sludge" does not explain the whole picture

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Evadne - A Mother Named Death (2017) – The revitalizing sound of grief

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Warrior Soul - Back on the Lash (2017) – Retro for some, retrograde for others.

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Enter Shikari - The Spark (2017) - Less Nitendocore more Post-hardcore

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The Ruins of Beverast - Exuvia (2017) – The tortuous journey of a lonely man

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Converge - The Dusk in Us (2017) – Heading the hardcore vanguard

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Pissboiler - In the Lair of Lucid Nightmares (2017) – Crossing the dense musical boundaries.

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